<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	>

<channel>
	<title>Future Music Lab</title>
	<atom:link href="http://www.futuremusiclab.com/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.futuremusiclab.com</link>
	<description>FutureMusicLab is a new applied research and enterprise network located within Newport School of Art, Media and Design at the University of Wales Newport</description>
	<pubDate>Tue, 07 Jul 2009 21:52:39 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.7.1</generator>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
			<item>
		<title>Alex Robinson</title>
		<link>http://www.futuremusiclab.com/participants/fml2participants/alex-robinson/</link>
		<comments>http://www.futuremusiclab.com/participants/fml2participants/alex-robinson/#comments</comments>
		<pubDate>Wed, 01 Jul 2009 22:02:20 +0000</pubDate>
		<dc:creator>Tim Land</dc:creator>
		
		<category><![CDATA[FML2 Participants]]></category>

		<guid isPermaLink="false">http://www.futuremusiclab.com/?p=321</guid>
		<description><![CDATA[Alex Robinson is European Label Manager for Stones Throw Records, the cultish Los Angeles-based company that has given the world music from Madlib, MF DOOM and J Dilla amongst many others. He oversees strategy, promotion, distribution and nigh-on every other aspect of the label’s European operations, including its publishing and merchandising wings.
Alex also oversaw the [...]]]></description>
			<content:encoded><![CDATA[<p>Alex Robinson is European Label Manager for Stones Throw Records, the cultish Los Angeles-based company that has given the world music from Madlib, MF DOOM and J Dilla amongst many others. He oversees strategy, promotion, distribution and nigh-on every other aspect of the label’s European operations, including its publishing and merchandising wings.<br />
Alex also oversaw the music for forthcoming British musical feature film ‘1Day’, due for cinematic release on September 4 and funded by Channel 4 amongst others.<br />
He is the owner of One-Handed Music, currently making waves with the much-hyped producers Paul White and Bullion.<br />
In six short years in the independent music industry he has worked in distribution, product management and marketing, including a stint at PIAS’ Integral wing working closely with the likes of The Gossip, The Go! Team, Sway, Dinosaur Jr. and El-P.<br />
He has also recently written a far-from-comprehensive musical history of Detroit.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.futuremusiclab.com/participants/fml2participants/alex-robinson/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Phil Cooper</title>
		<link>http://www.futuremusiclab.com/participants/fml2participants/phil-cooper/</link>
		<comments>http://www.futuremusiclab.com/participants/fml2participants/phil-cooper/#comments</comments>
		<pubDate>Tue, 30 Jun 2009 20:48:10 +0000</pubDate>
		<dc:creator>Tim Land</dc:creator>
		
		<category><![CDATA[FML2 Participants]]></category>

		<guid isPermaLink="false">http://www.futuremusiclab.com/?p=318</guid>
		<description><![CDATA[My experience ranges from event production through to promotion, be that traditional or digital. I have an unhealthy appetite for music and have spent 90% of my working years in and around the dance music industry, I have set up, ran and owned record shops and labels. Organized and promoted club nights and one off [...]]]></description>
			<content:encoded><![CDATA[<p>My experience ranges from event production through to promotion, be that traditional or digital. I have an unhealthy appetite for music and have spent 90% of my working years in and around the dance music industry, I have set up, ran and owned record shops and labels. Organized and promoted club nights and one off events in weird and wonderful locations such as barns, moving steam trains and aquariums. Through the mid 90&#8217;s to the mid 00&#8217;s I had quite a prolific international DJing career, working as a resident for super-club brands such as Cream and Ministry of Sound, these where exciting times as every brand and his dog wanted to be part of the tidal rave that was sweeping the globe and some very imaginative and ground breaking sponsorship deals were made.</p>
<p>Currently I am working within the digital marketing space, this has also turned out to be another unhealthy obsession&#8230; I am quite a geek when it comes to innovative ways of using social networks and social currency to engage with brands, bands and fans etc. I love to &#8220;twitter&#8221; and I am always exploring new developments in the web 2.0 arena.</p>
<p>The thing that currently keeps me awake into the wee, small hours is the debate over &#8216;consumption v ownership&#8217; and &#8216;compensation v control&#8217;. I am really interested in how these areas develop with regards to the music industry and what exciting ways they can be used in the development of brands engaging with consumers and fans.</p>
<p>Some of the projects I have been involved with over the last couple of years have been award winning</p>
<p>Winner of &#8216;Music and Brand Partnership of the Year&#8217; 2009 Musicweek Awards for Bacardi &#038; Groove Armada (Euro RSCG KLP)</p>
<p>Winner of &#8216;Communication Campaign Featuring PR&#8217; 2009 MCCA Best Award for Bacardi &#038; Groove Armada (Euro RSCG KLP)</p>
<p>Winner Best on Merseyside 2008 Award, Big Chip 10 (Creative Cultures)</p>
<p>Commendation Best Digital Marketing and Digital Brand Development 2008 Award, Big Chip 10 for We Love (CreativeCultures)</p>
]]></content:encoded>
			<wfw:commentRss>http://www.futuremusiclab.com/participants/fml2participants/phil-cooper/feed/</wfw:commentRss>
		</item>
		<item>
		<title>http://www.inbflat.net/</title>
		<link>http://www.futuremusiclab.com/futuremusicblog/httpwwwinbflatnet/</link>
		<comments>http://www.futuremusiclab.com/futuremusicblog/httpwwwinbflatnet/#comments</comments>
		<pubDate>Mon, 29 Jun 2009 17:53:18 +0000</pubDate>
		<dc:creator>Andre Ktori</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.futuremusiclab.com/?p=315</guid>
		<description><![CDATA[Really lovely 15mins spent on this and so simple&#8230; have fun, Andre.

]]></description>
			<content:encoded><![CDATA[<p>Really lovely 15mins spent on this and so simple&#8230; have fun, Andre.<br />
<a href="http://www.inbflat.net/"></p>
]]></content:encoded>
			<wfw:commentRss>http://www.futuremusiclab.com/futuremusicblog/httpwwwinbflatnet/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Digital Britain debate</title>
		<link>http://www.futuremusiclab.com/futuremusicblog/digital-britain-debate/</link>
		<comments>http://www.futuremusiclab.com/futuremusicblog/digital-britain-debate/#comments</comments>
		<pubDate>Tue, 16 Jun 2009 17:21:01 +0000</pubDate>
		<dc:creator>Matt Lovett</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.futuremusiclab.com/?p=272</guid>
		<description><![CDATA[There&#8217;s a lot that&#8217;s to be expected in this article, although it&#8217;s surprising that there&#8217;s still no intelligent move towards the distribution of digital content. Bradshaw&#8217;s comment that filesharing is &#8220;tantamount to theft&#8221;, reveals a complete lack of understanding of what needs to happen to the supply chain - a more joined up reltionship with [...]]]></description>
			<content:encoded><![CDATA[<p>There&#8217;s a lot that&#8217;s to be expected in this article, although it&#8217;s surprising that there&#8217;s still no intelligent move towards the distribution of digital content. Bradshaw&#8217;s comment that filesharing is &#8220;tantamount to theft&#8221;, reveals a complete lack of understanding of what needs to happen to the supply chain - a more joined up reltionship with ISPs would certainly be a move in the right direction</p>
<p><a href="http://www.guardian.co.uk/technology/2009/jun/16/digital-britain-bbc-licence-fee" target="_blank">http://www.guardian.co.uk/technology/2009/jun/16/digital-britain-bbc-licence-fee</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.futuremusiclab.com/futuremusicblog/digital-britain-debate/feed/</wfw:commentRss>
		</item>
		<item>
		<title>It really isn&#8217;t downloads that are the problem</title>
		<link>http://www.futuremusiclab.com/futuremusicblog/228/</link>
		<comments>http://www.futuremusiclab.com/futuremusicblog/228/#comments</comments>
		<pubDate>Tue, 09 Jun 2009 16:41:27 +0000</pubDate>
		<dc:creator>Matt Lovett</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.futuremusiclab.com/?p=228</guid>
		<description><![CDATA[Really like what this article is saying
http://www.guardian.co.uk/news/datablog/2009/jun/09/games-dvd-music-downloads-piracy
It&#8217;s becoming more and more obvious that a music industry that is based on the sale of linear / one way entertainment items is not only becoming more and more difficult to maintain, but a stupid idea in the first place
Music needs to be taken out of the stockpile [...]]]></description>
			<content:encoded><![CDATA[<p>Really like what this article is saying</p>
<p><a href="http://www.guardian.co.uk/news/datablog/2009/jun/09/games-dvd-music-downloads-piracy" target="_blank">http://www.guardian.co.uk/news/datablog/2009/jun/09/games-dvd-music-downloads-piracy</a></p>
<p>It&#8217;s becoming more and more obvious that a music industry that is based on the sale of linear / one way entertainment items is not only becoming more and more difficult to maintain, but a stupid idea in the first place</p>
<p>Music needs to be taken out of the stockpile and re-inserted into communities</p>
]]></content:encoded>
			<wfw:commentRss>http://www.futuremusiclab.com/futuremusicblog/228/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Bill Gates: Free Culture advocates = Commies</title>
		<link>http://www.futuremusiclab.com/futuremusicblog/bill-gates-free-culture-advocates-commies/</link>
		<comments>http://www.futuremusiclab.com/futuremusicblog/bill-gates-free-culture-advocates-commies/#comments</comments>
		<pubDate>Sat, 30 May 2009 10:35:33 +0000</pubDate>
		<dc:creator>Matt Lovett</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.futuremusiclab.com/?p=221</guid>
		<description><![CDATA[Just saw this - http://ow.ly/9kwr
Makes for interesting reading, particularly in view of the move towards setting up a Welsh Creative Commons - Welsh Creative Commies?
]]></description>
			<content:encoded><![CDATA[<p>Just saw this - <a href="http://ow.ly/9kwr" target="_blank">http://ow.ly/9kwr</a></p>
<p>Makes for interesting reading, particularly in view of the move towards setting up a Welsh Creative Commons - Welsh Creative Commies?</p>
]]></content:encoded>
			<wfw:commentRss>http://www.futuremusiclab.com/futuremusicblog/bill-gates-free-culture-advocates-commies/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Quick facts of the future from Jeremy and Gerd</title>
		<link>http://www.futuremusiclab.com/futuremusicblog/quick-facts-of-the-future-from-jeremy-and-gerd/</link>
		<comments>http://www.futuremusiclab.com/futuremusicblog/quick-facts-of-the-future-from-jeremy-and-gerd/#comments</comments>
		<pubDate>Tue, 26 May 2009 17:41:41 +0000</pubDate>
		<dc:creator>NeilCocker</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.futuremusiclab.com/?p=218</guid>
		<description><![CDATA[Thought you all might be interested in this blog post, made up of nuggets gleaned from Jeremy and Gerd&#8217;s talks at Creative Capital.
http://www.neilcocker.com

]]></description>
			<content:encoded><![CDATA[<p>Thought you all might be interested in this blog post, made up of nuggets gleaned from Jeremy and Gerd&#8217;s talks at Creative Capital.</p>
<p><span style="width: 500px;"><span><a href="http://www.neilcocker.com" target="_blank">http://www.neilcocker.com</a><br />
</span></span></p>
]]></content:encoded>
			<wfw:commentRss>http://www.futuremusiclab.com/futuremusicblog/quick-facts-of-the-future-from-jeremy-and-gerd/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Phorm and deep packet inspection - Email reply from Phorm PR</title>
		<link>http://www.futuremusiclab.com/cc/phorm-and-deep-packet-inspection-email-reply-from-phorm-pr/</link>
		<comments>http://www.futuremusiclab.com/cc/phorm-and-deep-packet-inspection-email-reply-from-phorm-pr/#comments</comments>
		<pubDate>Wed, 20 May 2009 20:09:46 +0000</pubDate>
		<dc:creator>CarlMorris</dc:creator>
		
		<category><![CDATA[About Creative Capital]]></category>

		<category><![CDATA[Blog]]></category>

		<category><![CDATA[advertising]]></category>

		<category><![CDATA[ISP]]></category>

		<category><![CDATA[law]]></category>

		<category><![CDATA[phorm]]></category>

		<category><![CDATA[privacy]]></category>

		<category><![CDATA[security]]></category>

		<category><![CDATA[timbernerslee]]></category>

		<guid isPermaLink="false">http://www.futuremusiclab.com/?p=212</guid>
		<description><![CDATA[Carl Morris here.
During the sandpit session at the Creative Capital event in London, we mapped the music business &#8220;ecosystem&#8221;. Our aim was to take a broad view and figure out the technological, social, cultural, economic, legal and other forces affecting the future of the music business.
Our discussion touched on data collection by private companies so [...]]]></description>
			<content:encoded><![CDATA[<p>Carl Morris here.</p>
<p>During the sandpit session at the <a href="http://www.futuremusiclab.com/futuremusicblog/welcome/">Creative Capital</a> event in London, we mapped the music business &#8220;ecosystem&#8221;. Our aim was to take a broad view and figure out the technological, social, cultural, economic, legal and other forces affecting the future of the music business.</p>
<p>Our discussion touched on data collection by private companies so I mentioned Phorm and afterwards wrote a <a href="http://www.futuremusiclab.com/futuremusicblog/phorm-and-deep-packet-inspection/">blog post here</a>. I only meant it as a quick intro to the misgivings that some people (notably <a href="http://www.openrightsgroup.org/2009/04/open-rights-group-welcomes-decisions-to-block-phorm/">Open Rights Group</a> in the UK) have about the company and its practices.</p>
<p>My point was that there are different kinds of data collection, not necessarily benign. This is just an example and in general this kind of discussion will continue for a while yet.</p>
<p>On 19th May 2009 I received an email directly from Benjamin Usher of the Phorm Communications Team. I&#8217;ve had no dealings with the company before now, neither had I ever written about them. So I can only assume he picked it up on a blog search, as any good PR person would. I&#8217;ve reproduced his email below verbatim.</p>
<blockquote><p>Hello Carl,</p>
<p>I read your blog post on Future Music Lab:<br />
<a href="http://www.futuremusiclab.com/participants/phorm-and-deep-packet-inspection/"> http://www.futuremusiclab.com/participants/phorm-and-deep-packet-inspection/</a></p>
<p>There are some common misconceptions about our technology which unfortunately have almost become accepted wisdom, and with an area like people&#8217;s privacy I think it is important that people know the facts. I hope you agree. In that spirit I wanted to address a few points from your article.</p>
<p>*	You write:  <em>&#8216;it&#8217;s not opt-in (unless you go out of your way to choose your ISP)&#8217;</em><br />
Users will be provided with unmissable notice of the service, what it offers, and how it works, so that they can make an informed choice as to whether to participate or not. The most recent BT trial was conducted on a completely opt in basis. As well as being shown the unmissable invitation to join the system, users can check whether the system is on or off, and switch it off or on at any time. This goes way beyond current internet standards on consumer consent.</p>
<p>*	You write: <em>&#8216;You may not feel comfortable with this level of access to your data by Phorm&#8217;s clients - which could be companies or possibly government - without your express permission. I think most people are unaware of the ramifications of this, I&#8217;ll say that much.&#8217;</em><br />
Phorm does not store the sites users visit. Phorm uses technology that has been designed to avoid storing any information that might identify a customer personally. The service does not store your browsing history, IP address, or any personally identifiable information. The unique design of Phorm&#8217;s technology ensures that consumer privacy is protected and that, even under compulsion, no personally-identifying data or detailed browsing data can be retroactively provided to anyone.</p>
<p>*	You write: <em>&#8216;Web creator Tim Berners-Lee says:I want to know if I look up a whole lot of books about some form of cancer that that&#8217;s not going to get to my insurance company and I&#8217;m going to find my insurance premium is going to go up by 5% because they&#8217;ve figured I&#8217;m looking at those books.&#8217;</em><br />
Phorm want consumers to be safe online, and we are committed to following the IAB guidelines on behavioural targeting. Phorm does not allow advertising in a number of sensitive categories:<br />
- Tobacco<br />
- Medical<br />
- Alcohol<br />
- Pornography<br />
- Gambling (except National Lottery)<br />
- UK Political Parties<br />
In addition, since Phorm&#8217;s system is designed not to store any personally identifiable information, we cannot give or sell it onto any third party. Therefore Sir Tim Berners-Lee&#8217;s metaphor would not apply to Phorm&#8217;s system.</p>
<p>If you are interested in knowing how Phorm&#8217;s service works, I&#8217;d be happy to set up a tech briefing for you.</p>
<p>If you or your readers are interested, you can see a short explanatory presentation on how Phorm works here:<br />
<a href="http://www.phorm.com/about/introducing/how-phorm-works.html">http://www.phorm.com/about/introducing/how-phorm-works.html</a></p>
<p>best regards, Ben</p>
<p>Benjamin Usher<br />
Phorm Communications Team</p></blockquote>
<p>Mr Usher has given me his permission to publish the above email.</p>
<p>I am aware of security issues but wouldn&#8217;t consider that my core speciality. I&#8217;d just like to make this available so it&#8217;s available for public scrutiny and debate.</p>
<p>One response I have to this is - if users have the option of turning off Phorm, I&#8217;m a bit uncertain why they would ever leave it on. Are we to believe the advertising offers are just too compelling to ignore? I&#8217;m willing to be educated on this.</p>
<p>This is a group blog written by several music, media and web professionals. Any views I&#8217;ve expressed are my own. (Also I know this blog is intended for discussing a range of issues related to music business, not just law or privacy. I&#8217;m sure Andre or Tim can let me know if this gets excessive! I can easily continue it on my <a href="http://www.quixoticquisling.com">personal blog</a>.)</p>
]]></content:encoded>
			<wfw:commentRss>http://www.futuremusiclab.com/cc/phorm-and-deep-packet-inspection-email-reply-from-phorm-pr/feed/</wfw:commentRss>
		</item>
		<item>
		<title>FML Flickr</title>
		<link>http://www.futuremusiclab.com/futuremusicblog/fml-flickr/</link>
		<comments>http://www.futuremusiclab.com/futuremusicblog/fml-flickr/#comments</comments>
		<pubDate>Sun, 17 May 2009 20:20:52 +0000</pubDate>
		<dc:creator>Andre Ktori</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.futuremusiclab.com/futuremusicblog/fml-flickr/</guid>
		<description><![CDATA[Photos and Capture of FML Sandpit sessions
http://www.flickr.com/photos/38569074@N08/
]]></description>
			<content:encoded><![CDATA[<p>Photos and Capture of FML Sandpit sessions<br />
http://www.flickr.com/photos/38569074@N08/</p>
]]></content:encoded>
			<wfw:commentRss>http://www.futuremusiclab.com/futuremusicblog/fml-flickr/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Gerd Leonhard&#8217;s Presentation</title>
		<link>http://www.futuremusiclab.com/futuremusicblog/gerd-leonhards-presentation/</link>
		<comments>http://www.futuremusiclab.com/futuremusicblog/gerd-leonhards-presentation/#comments</comments>
		<pubDate>Fri, 15 May 2009 12:03:06 +0000</pubDate>
		<dc:creator>Tim Land</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.futuremusiclab.com/?p=202</guid>
		<description><![CDATA[Creative Capital Presentation
View more presentations from Tom Land.

]]></description>
			<content:encoded><![CDATA[<div style="width:425px;text-align:left" id="__ss_1439615"><a style="font:14px Helvetica,Arial,Sans-serif;display:block;margin:12px 0 3px 0;text-decoration:underline;" href="http://www.slideshare.net/Landslide/creative-capital-presentation-1439615?type=powerpoint" title="Creative Capital Presentation">Creative Capital Presentation</a><object style="margin:0px" width="425" height="355"><param name="movie" value="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=the-road-to-music-2-gerd-leonhard-creative-capital-london-090515065726-phpapp02&#038;stripped_title=creative-capital-presentation-1439615" /><param name="allowFullScreen" value="true"/><param name="allowScriptAccess" value="always"/><embed src="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=the-road-to-music-2-gerd-leonhard-creative-capital-london-090515065726-phpapp02&#038;stripped_title=creative-capital-presentation-1439615" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="355"></embed></object>
<div style="font-size:11px;font-family:tahoma,arial;height:26px;padding-top:2px;">View more <a style="text-decoration:underline;" href="http://www.slideshare.net/">presentations</a> from <a style="text-decoration:underline;" href="http://www.slideshare.net/Landslide">Tom Land</a>.</div>
</div>
]]></content:encoded>
			<wfw:commentRss>http://www.futuremusiclab.com/futuremusicblog/gerd-leonhards-presentation/feed/</wfw:commentRss>
		</item>
	</channel>
</rss>
